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A Star is Born (2018)::rating::4
T he premise of A Star is Born dates all the way back to the first decade of talking pictures.  Its remaking has been a generational affair, with Judy Garland and James Mason, and then Barbra Streisand and Kris Kristofferson taking respective swings. Bradley Cooper’s version doesn’t so much retrace the same well-worn path as use it…
Venom (2018)::rating::1.5
V enom somehow manages to be frenetic and lifeless at the same time, like a corpse with current running through it.  It writhes and twitches protractedly before turning into a smoldering, sparking heap.  I would never be naïve enough to expect anything called Venom to be a Dean Martin Roast, but this is a joyless, dour two…
A Simple Favor (2018)::rating::3
A Simple Favor surgically slices into a subject that’s ripe and ready for satire:  The modern mommy.  It builds a labyrinthine murder mystery within the suburban topography of playdates and school projects.  Unfortunately the plot careens wildly through some dark terrain and forces the audience to endure jarring and incongruous shifts in tone.  Strong performances…
Boogie Nights (1997)::rating::4
  Alternately cheery and dreary, Paul Thomas Anderson’s porn de force shines a blacklight on the adult film industry, and its awkward transition into the era of VHS and HIV.  Mark Wahlberg—sporting a prosthetic trouser hog—nails it as impressionable fuck boy Dirk Diggler.  Burt Reynolds is his match as the Colonel Parker who ushers his very own…

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