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A fter I watched Spider-Man: Across the Spider-Verse, I went back to my review of the first film. Apparently, I gave Into the Spider-Verse 3.5 out of 5 stars. On one hand, that rating seems pretty low. On another, it seems...well, dumb. After all, that film was just the burst of energy and invention that comic book movies needed.…
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S ome coming-of-age dramedies draw humor from the cringiness of pre-teendom, when our bodies change faster than our brains can process. Others focus on the frustration of living in that emotional and spiritual thicket between being a child and an adult. Finally, a few aim to satisfy our appetite for gooey nostalgia, with a loving…
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T he world didn't need a bantamweight drama about the creation of a shoe, but here we are anyway. Of course, the Air Jordan isn't just a shoe. It's the shoe. And Air wisely uses that iconic sneaker to leap into a larger and more ambitious story, on how Jordan and a few corporate warriors at Nike leveraged his…
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R enfield is a lean, dumb sitcom of a movie, built on an irresistible idea: Take Bram Stoker's titular character, Count Dracula's fanatical bug-munching toady, and rework him for modern times. Put simply, this Renfield is a long-suffering sycophant, shackled to a toxic relationship with his narcissistic, gaslighting boss.
The filmmakers riff on that premise…
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M uch like this year’s The Menu, Triangle of Sadness takes aim at the pinkies-out dilettantes who punish the world with their platinum-coated sense of entitlement. Despite this similarity, the two films are actually defined by their differences: Triangle is broader, bolder, and more sweepingly ambitious than its satirical cousin. That’s not to say it’s the better film.…
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