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A Private War (2018)::rating::4.5
"W ar is cruelty," William Tecumseh Sherman once said.  "There is no use trying to reform it.  The crueler it is, the sooner it will be over."  Sherman's cold, 19th Century logic dictated that if women and children helped fuel the machine of war, then they should not be exempt from being trampled by it.…
Creed II (2018)::rating::3.5
C reed II somehow manages to be completely entertaining, despite the fact that it's the sequel to a spinoff from a franchise that itself spawned six movies over three decades.  If the first Creed was a strong character study and a worthy companion to the first Rocky, then this movie draws obvious inspiration from the gaudy, bombastic heave…
Instant Family (2018)::rating::3
T he life of a parent has been described as "all joy and no fun."  The act of having children trades the instant gratification of autonomous adulthood--the soft thrill of sleeping in or enjoying the stillness of a quiet home--for the macro-satisfaction of shepherding children along the precious milestones of life.  Instant Family depicts an…
Widows (2018)::rating::3.5
W idows begins with the post-mortem mayhem of a Reservoir Dogs-style heist gone horribly wrong.  Desperate men scream over the sound of sirens, their bodies soaked in blood and sweat.  After this scene, however, the movie goes in an interesting direction:  It's the aftermath of the aftermath, where a group of shell-shocked widows sift through the smoking…
The Girl in the Spider’s Web (2018)::rating::3
I n The Girl with the Dragon Tattoo--the first English-language adaptation of Stieg Larsson's novel series--director David Fincher and über-writer Steven Zallian built a thriller that smoldered with carefully-contained heat.  The Girl in the Spider's Web, a soft reboot with a different cast and crew, burns brighter and higher but goes out much sooner.  It somehow has…

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