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Instant Family (2018)::rating::3

T he life of a parent has been described as "all joy and no fun."  The act of having children trades the instant gratification of autonomous adulthood--the soft thrill of sleeping in or enjoying the stillness of a quiet home--for the macro-satisfaction of shepherding children along the precious milestones of life.  Instant Family depicts an…

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Widows (2018)::rating::3.5

W idows begins with the post-mortem mayhem of a Reservoir Dogs-style heist gone horribly wrong.  Desperate men scream over the sound of sirens, their bodies soaked in blood and sweat.  After this scene, however, the movie goes in an interesting direction:  It's the aftermath of the aftermath, where a group of shell-shocked widows sift through the smoking…

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Overlord (2018)::rating::3.5

A strange cinematic bisque, Overlord so effectively stirs genuinely jarring horror elements into a gripping war movie until it's impossible to distinguish the ingredients in the pot.  It somehow combines tropes that have survived throughout decades of movies and books and video games into something new and...can you use the word "refreshing" about a movie that features so many Nazi entrails?  To hell with it--I'm using it, anyway.  Overlord is ballsy, well-made, and--if you're not terribly squeamish--a damn good time.

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The Nutcracker and the Four Realms (2018)::rating::2.5

T he first fifteen minutes of The Nutcracker and the Four Realms spark with real imagination and wonder:  Long-ago London is vividly recreated, with snowflakes flitting soundlessly to the cobblestones.  Tchaikovsky's Nutcracker Suite teases on the soundtrack during an elegant dance scene, replete with billowing ballgowns and Morgan Freeman handing out enchanted presents, and....damn it, Christmas is…

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