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Vertigo (1958)::rating::0
  Vertigo is an odd, elliptical masterpiece that manages to somehow embody Alfred Hitchcock’s cinematic eccentricities and yet stand apart from the rest of his sprawling filmography.  It covers his familiar terrain of obsession and death (and his fetish for platinum blondes with icy dispositions) but is defined and distinguished by a melancholic fog that hangs densely…
Terror in Beverly Hills (1989)::rating::0
  No sense in dancing around it:  This movie sucks deep-fried donkeys.  The cinematography makes the Zapruder film look like Trip to Bountiful.  The monotonic soundtrack conjures the image of a twitching Pomeranian in fitful sleep atop a Casio keyboard.    The performances, the editing, and the writing—they all land in the weeds, too.  Even the clouds…
Plan 9 From Outer Space::rating::0
  Plan 9 occupies such rarified air atop the summit of bad cinema that to analyze it represents an intimidating prospect.  It is, in fact, an anomalous presence in movie history—a richly textured masterpiece of aggressive incompetence that somehow manages to be laughable and poignant, lazy yet strangely ambitious. Its auteur, Ed Wood, styled himself as a sci-fi…

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