I can’t remember seeing so many productions waste so much money and talent. We’ve talked about the best, now let’s talk about the bombs.
For this episode of Cinemavino, we talk about the Oscar noms. Once again, the Academy got a buncha picks right, and whole buttload of ’em wrong, too.
No list could ever satisfy everybody everywhere, but the following compilation makes me happy, and that’s the most important thing of all.
For this mini-episode of Cinemavino, we discuss 1917–spoiler-free–and breakdown the new trailers for Morbius and Black Widow.
By the time this cinematic cyclone has effectively devastated us, the only thing we can do with all this sadness and shock is laugh at the perfect symmetry of it all.
An even blend of wry and wrenching, this is great film that examines what happens after the story of a marriage ends.
For this episode of Cinemavino, we discuss the upcoming movie schedule. We’re really excited for some of it.
This film is not for the squeamish, but for those who can withstand its sudden jolts of adrenaline, director Sam Mendes delivers gripping entertainment, and an awe-inspiring cinematic achievement.
Ebullient, moving, and exquisitely crafted, writer-director Greta Gerwig delivers the best and brightest Little Women we’ll ever need.
What follows feels like a blend of The Babysitters Club and low-calorie Indiana Jones.