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Air (2023)::rating::3.5
T he world didn't need a bantamweight drama about the creation of a shoe, but here we are anyway.  Of course, the Air Jordan isn't just a shoe.  It's the shoe.  And Air wisely uses that iconic sneaker to leap into a larger and more ambitious story, on how Jordan and a few corporate warriors at Nike leveraged his…
Knock at the Cabin (2023)::rating::2.5
M ost of M. Night Shyamalan's output since Unbreakable has amounted to the cinematic equivalent of a wet willie.  The bad thing is most of these movies have actually been about three-fourths good:  Shyamalan will often dupe us with a fascinating-if-flawed premise, charged with the alternating current of moving character beats and genuinely chilling atmospherics.  Then,…
Renfield (2023)::rating::2.5
R enfield is a lean, dumb sitcom of a movie, built on an irresistible idea:  Take Bram Stoker's titular character, Count Dracula's fanatical bug-munching toady, and rework him for modern times.  Put simply, this Renfield is a long-suffering sycophant, shackled to a toxic relationship with his narcissistic, gaslighting boss. The filmmakers riff on that premise…
Lawrence of Arabia (1962)::rating::5
L awrence of Arabia made me love movies.  When I was a boy, the scene where Peter O'Toole's Lawrence first ventures into the desert was a transformative experience.  David Lean's majestic direction, combined with Maurice Jarre's lush, romantic score and Freddie Young's jaw-dropping 70mm cinematography, formed a moment of magnificent magic.  For the first time,…

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