Skip to content Skip to footer
Young Frankenstein (1974)::rating::4::rating::4::rating::4
E legant and refined aren't words you'd normally bandy about Mel Brooks' filmography, but with Young Frankenstein, they just seem to fit.  This horror homage is really a delicate soufflé, crafted with care and dedicated to the Universal horror flicks of the 1930s.  Brooks seems to genuinely love the James Whale/Boris Karloff adaptation of Mary Shelley's book,…
The Marvels (2023)::rating::2.5
A s a Star Trek nerd, I remember the 90s as an embarrassment of riches.  Actually, it was a never-ending glut:  We got seven seasons of The Next Generation, plus seven of Deep Space Nine!  But wait, there's more--seven seasons of Voyager, featuring a holographic doctor and a chef that looks like a warthog!  Toss in four feature…
The Godfather (1972)::rating::5
M odern cinema simply could not exist as it is without The Godfather.  Francis Coppola's masterpiece redefined the width and depth that movies could explore, and inspired a million imitations and homages along the way.  No film has ever distilled disparate elements so well:  Arthouse ambition melds with pure popcorn entertainment.  Nouvelle Vague flourishes flow through the dimensions…
Gremlins (1984)::rating::3
G remlins attracts more clashing adjectives than any other blockbuster of its era:  It's both cute and disturbing.  Clever, but also idiotic.  There's Christmas cheer, but it's coated with the bubbling slime of Halloween.  All this adds up to a movie that's fun, but...weird.  I grew up watching Gremlins, but I can't say with certainty that…
Hook (1991)::rating::3.5
H ook must've had an elevator pitch for the ages:  Imagine a sequel to Peter Pan, starring Robin Williams as an adult version of the character.  Next, add Dustin Hoffman as an aging Captain Hook, and Julia Roberts as Tinkerbell.  Now, let's seal it with Steven Spielberg in the director's chair and John Williams in front…

the Kick-ass Multipurpose WordPress Theme

© 2025 Kicker. All Rights Reserved.