Scoob! ain’t half bad. Actually, I take that back. It’s exactly half bad. The shock is that it’s even half good.
On one hand, this represents a new angle on the Capone legend. Unfortunately, this is also an eccentric, unpleasant film that gets lost telling a story nobody was asking to hear.
Mercy flirts with all these flaws, but the filmmakers thankfully show just enough restraint to let the power of its source material shine through.
This instantly invokes the openings of Alien and The Abyss, two classic movies that only remind us of everything this one lacks.
If Unplanned represented a pig slathered in lipstick, Never Rarely is beautiful in its unadorned frankness.
For all its good intent and ardent tone, The Last Full Measure is also a relentlessly underwhelming movie.
[su_dropcap size="5"]D[/su_dropcap]ownhill features so many repellant characters, it's difficult to pin down the one I hate the most: Billie (Julia Louis-Dreyfus) shrieks through her scenes like a hen-pecking shrew, devoid of any qualities any human might find appealing. Pete (Will Ferrell), her gelded milquetoast of a husband, sucks the air out of every room he inhabits.…
There are some horrible options out there, but you can also find some decent ones out there. Let me make this quest easier for you.
For anybody who thought any of this might be worth at least a slight chuckle, you’ve been warned. Like a Boss sinks like a lead balloon.
The decision to digitally anthropomorphize Buck actually fails the film on two levels.
